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Golf

Album · September 4, 2026 · 10 tracks · 38 minutes
Golf

Golf

Golf is ten tracks of downtuned instrumental hard rock by Ian Bloom. Drop D throughout, one guitar, one bass, drums, no singer, thirty-eight minutes. Out September 4, 2026.

About

Ten tracks, thirty-eight minutes, no singer. Drop D from the first bar to the last. One guitar, one bass, arranged drums, and nothing else on it.

Measured across the masters, the centre of energy sits between 290 and 760 Hz on every track and nothing carries more than two per cent of its content above 6 kHz. Almost no air, very little cymbal wash. Peaks land within a decibel of the ceiling and the level barely moves inside most of these songs.

Four tracks out of the gate at speed. Glacier halves the tempo and holds it for seven forty-two. Then Berserk angular, Mammals fastest, Rough flat and grinding, Instrument cycling, Ballistic coming apart.

The only words are four lines at the top of Savage. The guitar carries the melody after that.

Recorded alone in Los Angeles in under seventy-two hours, in order. Out September 4, 2026 on Natural Archive.

Facts
Format
Album
Label
Natural Archive
Release date
September 4, 2026
Tracks
10
Runtime
38 minutes
Status
Releasing September 4, 2026
Tracks
01 · 3:02
Savage
Four shouted lines, then no words for the rest of the album. Fast, and the deepest-sitting track on the record, with more weight under 60 Hz than anything else here. Five choruses in three minutes. Ends dead, no fade.
02 · 3:43
Destroyer
The tightest arrangement on the record and the most mid-forward. Intro, verse, bridge, a second verse cut shorter than the first, chorus, break. Hard stop at the end.
03 · 3:05
Brutal
The brightest and widest-sounding track on the album. Fifteen seconds of intro, a solo in the middle, three choruses. No fade and no slowdown. It stops at full level.
04 · 4:31
Blunt
At full level from the first bar. Low, mid-paced, four and a half minutes, the longest cut on side A. Two intros, a stop before the solo, a last run at the verse and chorus.
05 · 7:42
Glacier
The tempo halves. Seven forty-two, three solos, three bridges. Almost no stereo spread; it sits down the middle. Longer than anything else on the record by three minutes.
06 · 3:05
Berserk
About half the energy sits in one octave near the low E. Angular, off the grid. There is a passage where it sounds like it is coming apart. It does not.
07 · 3:08
Mammals
The fastest track here, and almost all verse. The floor drops out completely at 1:16. A chorus cut in half, two dead stops, bridges that go somewhere else. Fades over the last twelve seconds, the only fade on the album.
08 · 3:09
Rough
The flattest level on the record. Three minutes that barely move, lower and dirtier than what sits on either side of it.
09 · 2:59
Instrument
The darkest track on Golf, nearly all of it under 400 Hz with no top end. Drums alone, then a groove that cycles and never climbs. Shortest thing on the album. There is a high note in it that should not be there.
10 · 3:36
Ballistic
Fast and loose. The floor drops out twice in the first half, at twenty-six seconds and just after a minute ten. Two outros. The first one is wrong.
Texts / Analysis

Record Note

Studio catalogue essay

Ten tracks, thirty-eight minutes, drop D throughout. One guitar, one bass, arranged drums, and four lines of vocal at the top of Savage. Four fast tracks, then Glacier at half tempo for 7:42, then a back half that re-accelerates and comes apart. Recorded by Ian Bloom alone in Los Angeles across four days, in order. Out September 4, 2026 on Natural Archive.

Analysis

Studio catalogue essay

Everything is drop D. One guitar, one bass, arranged drums. No keys, no acoustics, no stacked harmony parts. The riff carries the melody line.

Measured across the ten masters: the centre of energy sits between 290 and 760 Hz, and nothing carries more than two per cent above 6 kHz. The bass sits forward and often moves against the guitar instead of doubling it. Peaks land within a decibel of the ceiling on every track, and inside most songs the level moves less than five decibels.

Brutal is the brightest and the widest. Instrument is the darkest, nearly all of it under 400 Hz. Berserk puts about half its energy in one octave near the low E. Glacier has the least stereo spread on the album. Rough has the flattest level.

The running order: four fast tracks, Glacier at half tempo for seven forty-two, then Berserk, Mammals, Rough, Instrument, Ballistic. Mammals is the fastest thing here and the only track that fades. Ballistic drops the floor out at twenty-six seconds and again just after a minute ten, then finishes in two outros.

Sections repeat, stops are placed, solos are staged. Savage runs five choruses in three minutes. Destroyer cuts its second verse shorter than its first. Blunt stops before the solo. Glacier runs three solos and three bridges. Mammals interrupts itself twice.

Written and recorded in order across four days. Savage Sunday night. Destroyer and Brutal Monday. Blunt, Glacier, Berserk, Mammals and Rough Tuesday. Instrument and Ballistic Wednesday. Nothing was resequenced.

Four lines of vocal at the top of Savage: A savage / Freak me / A savage / Free me. Nothing after that.

Swagger put the frontman at the microphone. Golf does not have one.

Release

Golf is released September 4, 2026 on Natural Archive. Streaming and edition links will be published here on release.

Credits
Compositions by Ian Bloom © 2026.
Released by Natural Archive.
Written, produced, arranged, and recorded by Ian Bloom.
Guitar and bass by Ian Bloom.
Drums arranged by Ian Bloom.
Recorded alone in Los Angeles.
Written and recorded in sequence in under seventy-two hours.
Drop D throughout.